What were Ezra Pound and T.S. Eliot fighting about in the captain's It is normal to ask "why" questions when something so momentous You seem not to have mentioned the editorial relationship between Eliot and Poiund. With T S Eliot, Ezra Pound revolutionised English literature. The correspondence also sheds new light on his relationship with Eliot, who was also his publisher at Faber . Share your thoughts and debate the big issues. Excursus: Eliot, Pound and their relation to Walt Whitman The literary friendship between Ezra Pound and T.S. Eliot is a great example of a fruitful and . a mental breakdown caused by overwork, marital problems, and general depression.
Quiz: TS Eliot | Global | The Guardian
The next awards ceremony, in January, is likely to be a poignant farewell to a benevolent force, she added. But I personally would like to see more investigation into the influence of Eliot's close friendship with Ezra Pound. He has been understandably out of fashion due to his antisemitism, but he was an extraordinary essayist and his notes on Eliot's work are amazing. Early in their marriage she had an affair with Bertrand Russell, which Eliot is said to have ignored.
Before her illness, she claimed that she and her husband were incompatible; he told his friends, Virginia and Leonard Woolf, that he could not imagine even shaving in his wife's presence. In he took a vow of chastity. He took up a professorship at Harvard and only met her once again before her death in So what were Ezra Pound and T.
Eliot fighting about then? The Beast gives no hints regarding the rest of the story. Wikipedia offers a more complete picture.
Ezra Pound was an American who had gone overseas and played a central role in literary circles in London and Paris. His influence brought numerous significant writers to the attention of a wider public including Hemingway himself, Robert Frost, Joyce and T.The waste land -notes, summary and analysis
Wikipedia cites Hemingway as stating, "He defends [his friends] when they are attacked, he gets them into magazines and out of jail. He writes articles about them. He introduces them to wealthy women.
T.S. Eliot and Ezra Pound: Examining the basis of their literary friendship
He gets publishers to take their books. He sits up all night with them when they claim to be dying At this point, Pound appears to be a truly heroic character. What came next significantly stained his reputation. World War I, the Great War as it was called, not only scarred the countrysides of Europe, it left open wounds in the souls of men. He returned to Italy, where he died in Venice at eighty-seven in Ezra Pound specifically distinguished his generation of writers in exile from the generation of American expatriates of the twenties.
We came to find something, to learn, possibly to conserve, but this new lot came in disgust. They, in different degrees, settled in and assimilated their adopted European environment. Eliot was definitely a member of the first group of exile writers, as he completely repatriated himself. The reasons for this complete immersion lie in his family background. Among his ancestors, who came in with John Winthrop for the founding of Boston to America, were noticeable traders and clergymen in New England and especially in Boston.
The remarkable history of his family influenced his strong belief in tradition, which will be discussed later in this essay. After a year at the Sorbonne University in Paris, he returned to Harvard to pursue a doctorate in philosophy. His main stations were Paris and Germany, before finally settling down in England in In contrast to Pound, Eliot remained a resident of England for the rest of his life; and even got the British citizenship in He began working on The Waste Land in and finished it in a Swiss sanatorium while recovering from a mental breakdown caused by overwork, marital problems, and general depression.
A striking feature of his life is his conversion to Anglo-Catholicism in the late thirties, which will be dealt with later. He was awarded the Nobel Prize in Literature. Eliot died in London in The collaboration between the two poets began in From the very start Eliot recognized one distinguishing feature of their personalities.
In America, he would no doubt have always seemed on the point of going abroad; in London, he always seemed on the point of crossing the Channel. I have never known a man, of any nationality, to live so long out of his native country without settling anywhere else.
Pound and Eliot early discovered how difficult it would be either to live or to make a living as artists in America. They found America at the turn of the century a cultural desert. As Midwesterners of English and New England ancestry, both poets felt displaced. The alienation Pound felt was at the same time aesthetic and economic.
For example, he wrote to Harriet Monroe in There is no other magazine in America which is not an insult to the serious artist and to the dignity of art. With its age old cities, its great monuments, museums, and libraries, it offered them the artistic milieu and resource they craved and lacked in their homeland. Both Pound and Eliot were associated with several artistic circles and had close contact with many artists. In England, the country of his ancestors, Eliot sought and found an organic society which satisfied his hunger for tradition and order.
Compared to his home country, in Britain society, politics and religion were more close-knit and institutionalized. In addition, it offered the enormous advantage of allowing Eliot to cleave to the mother tongue and, as a spokesman for British culture, of enabling him to mediate between the New and Old Worlds. Eliot, unlike Pound, led an ordered and rooted life; he physically and mentally settled in Britain, for which becoming a British citizen in can be seen as the final step.
Secrets of TS Eliot's tragic first marriage and liaisons to be told at last | Books | The Guardian
However, one finds little physical evidence of his adopted country in his poetry. Such images as there are of city, village, and church are universalized, and not specifically local.
Whatever town he lived in, he spent as much time and energy promoting art as practising it. His poetry shows that he was sensually alive to his surroundings. He needed the change of place as a source of inspiration. Nothing could be more appropriate to the production of such cosmopolitan work than the travel and the exile that gave Pound and Eliot knowledge of many different languages, cultures and societies.
Despite the loss of roots, exile offers distinct advantages. It enables one to see and to experience much that is new and different from what one is accustomed to. In assessing the difference between the foreign and the familiar, one acquires a dual viewpoint, which is immensely valuable.